In a recent interview, Mark Morton, the guitarist of Lamb of God, delves into the band's latest album, 'Into Oblivion', and shares his thoughts on their musical evolution. Morton reveals that the band's new sound is not just an organic part of the composition but a deliberate and intentional effort to step out of their comfort zones. He explains that the process began with revisiting the early 2000s metal scene, which inspired him to reconnect with the roots of Lamb of God's sound.
Morton's personal journey to rediscovering his inspiration is fascinating. He delves into the early 2000s metal scene, citing bands like The Haunted, At The Gates, and Meshuggah as significant influences. He particularly highlights the abstract and experimental nature of Meshuggah's 'Destroy Erase Improve' as a major source of inspiration. This revelation offers a unique perspective on the band's creative process, showcasing how Morton's personal listening habits have shaped the band's sound.
The interview also sheds light on the band's songwriting process, which starts with guitar riffs. Morton and fellow guitarist Willie Adler collect riffs independently and then collaborate to build songs around them. This process has remained consistent throughout the band's history, with Morton emphasizing the importance of guitar riffs in their music.
When asked about his favorite Lamb of God album, Morton chooses 'As The Palaces Burn'. He attributes this choice to the album's unique representation of the band's early songwriting efforts, which eventually evolved into the refined sound they are known for today. Morton's perspective on this album is intriguing, as he acknowledges its imperfections but celebrates its raw and fiery energy.
The interview also touches on the band's decision to bring back elements of their earlier sound on 'Into Oblivion'. Morton clarifies that this was not a conscious decision but rather a natural evolution of their musical journey. He reflects on the band's collaborative process and how they collectively explore different musical directions without a pre-defined plan.
Morton's insights into the band's creative process and their musical evolution offer a refreshing perspective on Lamb of God's journey. His personal interpretation of the band's sound and their decision-making process provide a deeper understanding of the band's artistic vision. Overall, the interview is a captivating exploration of the band's creative process and their musical journey, offering a unique insight into the mind of a guitarist who has shaped Lamb of God's iconic sound.
